Do Kadam Chalo

A writer in hibernation, online I can wake up any day to claim my rightful place in the written word’s cosmos. Till then, abortion I am content with this blog – which is, as the name suggests, a random expressions of what crosses my mind. I call this blog a one-stop shop for entertainment reading in its various dimensions, providing a little relief from your life’s daily rigmarole. The blog has stories, view points, opinions, travel related entries, general posts, reviews and of course, lots on Bollywood music and Lata Mangeshkar (a voice I am passionate about)!

Archives

I hope your experience at RE is fruitful. To access my previous posts, a good place to start is to visit the Comprehensive Archives Page which gives you the list of posts month-wise as well as the break up category-wise. There is a ‘search form’ available to enable you find the exact post you are looking for.
The comments on the posts are enabled, and it will give me a pleasure to know your views.

Contact

You can contact Random Expressions by using the contact form here

Announcements

You can join the announcement list (as given on the right hand side bar). Rest assured your email will remain confidential and will not be used other than sending out announcements from time to time. I hate spam more than any one could (esp. since I struggle quite a lot with it, both on this site and on my mails)

Donate

If you find the site useful and entertaining, please do make a nominal donation to help up-keep the site in its full beauty and form. You can help by clicking here.

Disclaimer

Comments are unmoderated and hence open to everyone. I take no risk or responsibility for them. 

If you find some comment offensive or in bad taste then you may write to me. I will try to remove the same if I have time or feel they are really in bad taste. There is no guarantee for this. 


So sit back, relax and enjoy! Happy Reading!

Deepak Jeswal
A writer in hibernation, online I can wake up any day to claim my rightful place in the written word’s cosmos. Till then, abortion I am content with this blog – which is, as the name suggests, a random expressions of what crosses my mind. I call this blog a one-stop shop for entertainment reading in its various dimensions, providing a little relief from your life’s daily rigmarole. The blog has stories, view points, opinions, travel related entries, general posts, reviews and of course, lots on Bollywood music and Lata Mangeshkar (a voice I am passionate about)!

Archives

I hope your experience at RE is fruitful. To access my previous posts, a good place to start is to visit the Comprehensive Archives Page which gives you the list of posts month-wise as well as the break up category-wise. There is a ‘search form’ available to enable you find the exact post you are looking for.
The comments on the posts are enabled, and it will give me a pleasure to know your views.

Contact

You can contact Random Expressions by using the contact form here

Announcements

You can join the announcement list (as given on the right hand side bar). Rest assured your email will remain confidential and will not be used other than sending out announcements from time to time. I hate spam more than any one could (esp. since I struggle quite a lot with it, both on this site and on my mails)

Donate

If you find the site useful and entertaining, please do make a nominal donation to help up-keep the site in its full beauty and form. You can help by clicking here.

Disclaimer

Comments are unmoderated and hence open to everyone. I take no risk or responsibility for them. 

If you find some comment offensive or in bad taste then you may write to me. I will try to remove the same if I have time or feel they are really in bad taste. There is no guarantee for this. 


So sit back, relax and enjoy! Happy Reading!

Deepak Jeswal
A writer in hibernation, online I can wake up any day to claim my rightful place in the written word’s cosmos. Till then, abortion I am content with this blog – which is, as the name suggests, a random expressions of what crosses my mind. I call this blog a one-stop shop for entertainment reading in its various dimensions, providing a little relief from your life’s daily rigmarole. The blog has stories, view points, opinions, travel related entries, general posts, reviews and of course, lots on Bollywood music and Lata Mangeshkar (a voice I am passionate about)!

Archives

I hope your experience at RE is fruitful. To access my previous posts, a good place to start is to visit the Comprehensive Archives Page which gives you the list of posts month-wise as well as the break up category-wise. There is a ‘search form’ available to enable you find the exact post you are looking for.
The comments on the posts are enabled, and it will give me a pleasure to know your views.

Contact

You can contact Random Expressions by using the contact form here

Announcements

You can join the announcement list (as given on the right hand side bar). Rest assured your email will remain confidential and will not be used other than sending out announcements from time to time. I hate spam more than any one could (esp. since I struggle quite a lot with it, both on this site and on my mails)

Donate

If you find the site useful and entertaining, please do make a nominal donation to help up-keep the site in its full beauty and form. You can help by clicking here.

Disclaimer

Comments are unmoderated and hence open to everyone. I take no risk or responsibility for them. 

If you find some comment offensive or in bad taste then you may write to me. I will try to remove the same if I have time or feel they are really in bad taste. There is no guarantee for this. 


So sit back, relax and enjoy! Happy Reading!

Deepak Jeswal
Music Review

It’s after listening to the film’s music I realised how much I missed Jatin-Lalit’s music. Sadly, look
this will be their swan song as a team, with both partners splitting up officially – quite a first in music industry; even though Shankar and Jaikishan were composing and interacting with producers separately some five-six years prior to Jaikishan’s untimely death, still they held to “S-J brand” very closely, so much so that Shankar did not allow the hyphen to go even when he was left alone by destiny’s chilling hand!

In mid-nineties JL were there right at the top – with two back-to-back musical bumper hits (DDLJ and Kuch Kuch Hota Hai) and several other hits (Pyar To Hona Hi Tha, Jab Pyar Kisise Hota Hai etc), they were sitting primly at the peak – till differences arose. Their last notable release was Hum Tum, from the same team as Fanaa.

Fanaa is a good farewell gift from the duo.

The most interesting point is to see Sunidhi Chauhan shedding off her ‘item girl’ image, an avatar she

momentarily slipped out of in Sur, but didn’t do much to later follow it up. In Fanaa, she gets to croon two soft numbers, of which ‘Tere haath mein mera haath ho’ is heart-meltingly effusive. To Sunidhi’s credit, she jumps at the opportunity with élan. The song embellished with some Kashmiri music has snippets of verses spoken by lead pair Aamir and Kajol, and Sonu Nigam gives pleasant company.

Her other duet (again with Sonu) Yeh saazish hai boondon ki (Dekho Na) is charming, sculpted with care and romance just like Hum Tum’s much appreciated title song.

It was ‘Chanda chamke’ that made me miss JL the most! The song is so typically JL that I really wish they would bury their differences and come together again. This song is based on alliterative tongue-twisters we all loved during our childhood. Singers are Babul Supriyo, Mahalaxmi and Master Akhay, with Aamir and Kajol again doing honors with a few words in between. Excellent interludes make it a lovable song.

Mahalaxmi’s solo ‘Des Rangila’, a patriotic song, is probably the only weakest link, yet in the reflective luminesce of other songs it shines.

My most favorite and undoubtedly the album’s best track is Shaan-Kailash Kher’s Chaand sifarish karta jo hamari. It’s a unique composition – the introduction is sort of ‘Balle balle on a Sunday’ riff(Bunty Aur Bubli) meets AR Rahman’s qawaali beats from Bombay (Kahne hi kya), to which is snitched just a sliver of Junoon’s electric guitar signature rhythm, and yet the song doesn’t look like some tattered hand-me down; primarily due to the excellent whistling theme music that takes over, and a tune which takes off on a wonderfully lip-friendly plane. The rhythm is awesome; and Shaan is perfectly in sync with the romantic mood! Even if you don’t plan to buy the album, don’t ever miss this song any which way! For this song itself, I would have given the below mentioned rating, but then the score has enough merit to claim its rightful share in music lover’s mind.

You can listen to songs online here.

Overall: A Good Buy!
A writer in hibernation, online I can wake up any day to claim my rightful place in the written word’s cosmos. Till then, abortion I am content with this blog – which is, as the name suggests, a random expressions of what crosses my mind. I call this blog a one-stop shop for entertainment reading in its various dimensions, providing a little relief from your life’s daily rigmarole. The blog has stories, view points, opinions, travel related entries, general posts, reviews and of course, lots on Bollywood music and Lata Mangeshkar (a voice I am passionate about)!

Archives

I hope your experience at RE is fruitful. To access my previous posts, a good place to start is to visit the Comprehensive Archives Page which gives you the list of posts month-wise as well as the break up category-wise. There is a ‘search form’ available to enable you find the exact post you are looking for.
The comments on the posts are enabled, and it will give me a pleasure to know your views.

Contact

You can contact Random Expressions by using the contact form here

Announcements

You can join the announcement list (as given on the right hand side bar). Rest assured your email will remain confidential and will not be used other than sending out announcements from time to time. I hate spam more than any one could (esp. since I struggle quite a lot with it, both on this site and on my mails)

Donate

If you find the site useful and entertaining, please do make a nominal donation to help up-keep the site in its full beauty and form. You can help by clicking here.

Disclaimer

Comments are unmoderated and hence open to everyone. I take no risk or responsibility for them. 

If you find some comment offensive or in bad taste then you may write to me. I will try to remove the same if I have time or feel they are really in bad taste. There is no guarantee for this. 


So sit back, relax and enjoy! Happy Reading!

Deepak Jeswal
A writer in hibernation, online I can wake up any day to claim my rightful place in the written word’s cosmos. Till then, abortion I am content with this blog – which is, as the name suggests, a random expressions of what crosses my mind. I call this blog a one-stop shop for entertainment reading in its various dimensions, providing a little relief from your life’s daily rigmarole. The blog has stories, view points, opinions, travel related entries, general posts, reviews and of course, lots on Bollywood music and Lata Mangeshkar (a voice I am passionate about)!

Archives

I hope your experience at RE is fruitful. To access my previous posts, a good place to start is to visit the Comprehensive Archives Page which gives you the list of posts month-wise as well as the break up category-wise. There is a ‘search form’ available to enable you find the exact post you are looking for.
The comments on the posts are enabled, and it will give me a pleasure to know your views.

Contact

You can contact Random Expressions by using the contact form here

Announcements

You can join the announcement list (as given on the right hand side bar). Rest assured your email will remain confidential and will not be used other than sending out announcements from time to time. I hate spam more than any one could (esp. since I struggle quite a lot with it, both on this site and on my mails)

Donate

If you find the site useful and entertaining, please do make a nominal donation to help up-keep the site in its full beauty and form. You can help by clicking here.

Disclaimer

Comments are unmoderated and hence open to everyone. I take no risk or responsibility for them. 

If you find some comment offensive or in bad taste then you may write to me. I will try to remove the same if I have time or feel they are really in bad taste. There is no guarantee for this. 


So sit back, relax and enjoy! Happy Reading!

Deepak Jeswal
Music Review

It’s after listening to the film’s music I realised how much I missed Jatin-Lalit’s music. Sadly, look
this will be their swan song as a team, with both partners splitting up officially – quite a first in music industry; even though Shankar and Jaikishan were composing and interacting with producers separately some five-six years prior to Jaikishan’s untimely death, still they held to “S-J brand” very closely, so much so that Shankar did not allow the hyphen to go even when he was left alone by destiny’s chilling hand!

In mid-nineties JL were there right at the top – with two back-to-back musical bumper hits (DDLJ and Kuch Kuch Hota Hai) and several other hits (Pyar To Hona Hi Tha, Jab Pyar Kisise Hota Hai etc), they were sitting primly at the peak – till differences arose. Their last notable release was Hum Tum, from the same team as Fanaa.

Fanaa is a good farewell gift from the duo.

The most interesting point is to see Sunidhi Chauhan shedding off her ‘item girl’ image, an avatar she

momentarily slipped out of in Sur, but didn’t do much to later follow it up. In Fanaa, she gets to croon two soft numbers, of which ‘Tere haath mein mera haath ho’ is heart-meltingly effusive. To Sunidhi’s credit, she jumps at the opportunity with élan. The song embellished with some Kashmiri music has snippets of verses spoken by lead pair Aamir and Kajol, and Sonu Nigam gives pleasant company.

Her other duet (again with Sonu) Yeh saazish hai boondon ki (Dekho Na) is charming, sculpted with care and romance just like Hum Tum’s much appreciated title song.

It was ‘Chanda chamke’ that made me miss JL the most! The song is so typically JL that I really wish they would bury their differences and come together again. This song is based on alliterative tongue-twisters we all loved during our childhood. Singers are Babul Supriyo, Mahalaxmi and Master Akhay, with Aamir and Kajol again doing honors with a few words in between. Excellent interludes make it a lovable song.

Mahalaxmi’s solo ‘Des Rangila’, a patriotic song, is probably the only weakest link, yet in the reflective luminesce of other songs it shines.

My most favorite and undoubtedly the album’s best track is Shaan-Kailash Kher’s Chaand sifarish karta jo hamari. It’s a unique composition – the introduction is sort of ‘Balle balle on a Sunday’ riff(Bunty Aur Bubli) meets AR Rahman’s qawaali beats from Bombay (Kahne hi kya), to which is snitched just a sliver of Junoon’s electric guitar signature rhythm, and yet the song doesn’t look like some tattered hand-me down; primarily due to the excellent whistling theme music that takes over, and a tune which takes off on a wonderfully lip-friendly plane. The rhythm is awesome; and Shaan is perfectly in sync with the romantic mood! Even if you don’t plan to buy the album, don’t ever miss this song any which way! For this song itself, I would have given the below mentioned rating, but then the score has enough merit to claim its rightful share in music lover’s mind.

You can listen to songs online here.

Overall: A Good Buy!
I haven’t really written much poetry. But in the following pages, healing you can find some Hindi stuff; would classify them more as ‘songs’ than poems!

Enjoy!
A writer in hibernation, online I can wake up any day to claim my rightful place in the written word’s cosmos. Till then, abortion I am content with this blog – which is, as the name suggests, a random expressions of what crosses my mind. I call this blog a one-stop shop for entertainment reading in its various dimensions, providing a little relief from your life’s daily rigmarole. The blog has stories, view points, opinions, travel related entries, general posts, reviews and of course, lots on Bollywood music and Lata Mangeshkar (a voice I am passionate about)!

Archives

I hope your experience at RE is fruitful. To access my previous posts, a good place to start is to visit the Comprehensive Archives Page which gives you the list of posts month-wise as well as the break up category-wise. There is a ‘search form’ available to enable you find the exact post you are looking for.
The comments on the posts are enabled, and it will give me a pleasure to know your views.

Contact

You can contact Random Expressions by using the contact form here

Announcements

You can join the announcement list (as given on the right hand side bar). Rest assured your email will remain confidential and will not be used other than sending out announcements from time to time. I hate spam more than any one could (esp. since I struggle quite a lot with it, both on this site and on my mails)

Donate

If you find the site useful and entertaining, please do make a nominal donation to help up-keep the site in its full beauty and form. You can help by clicking here.

Disclaimer

Comments are unmoderated and hence open to everyone. I take no risk or responsibility for them. 

If you find some comment offensive or in bad taste then you may write to me. I will try to remove the same if I have time or feel they are really in bad taste. There is no guarantee for this. 


So sit back, relax and enjoy! Happy Reading!

Deepak Jeswal
A writer in hibernation, online I can wake up any day to claim my rightful place in the written word’s cosmos. Till then, abortion I am content with this blog – which is, as the name suggests, a random expressions of what crosses my mind. I call this blog a one-stop shop for entertainment reading in its various dimensions, providing a little relief from your life’s daily rigmarole. The blog has stories, view points, opinions, travel related entries, general posts, reviews and of course, lots on Bollywood music and Lata Mangeshkar (a voice I am passionate about)!

Archives

I hope your experience at RE is fruitful. To access my previous posts, a good place to start is to visit the Comprehensive Archives Page which gives you the list of posts month-wise as well as the break up category-wise. There is a ‘search form’ available to enable you find the exact post you are looking for.
The comments on the posts are enabled, and it will give me a pleasure to know your views.

Contact

You can contact Random Expressions by using the contact form here

Announcements

You can join the announcement list (as given on the right hand side bar). Rest assured your email will remain confidential and will not be used other than sending out announcements from time to time. I hate spam more than any one could (esp. since I struggle quite a lot with it, both on this site and on my mails)

Donate

If you find the site useful and entertaining, please do make a nominal donation to help up-keep the site in its full beauty and form. You can help by clicking here.

Disclaimer

Comments are unmoderated and hence open to everyone. I take no risk or responsibility for them. 

If you find some comment offensive or in bad taste then you may write to me. I will try to remove the same if I have time or feel they are really in bad taste. There is no guarantee for this. 


So sit back, relax and enjoy! Happy Reading!

Deepak Jeswal
Music Review

It’s after listening to the film’s music I realised how much I missed Jatin-Lalit’s music. Sadly, look
this will be their swan song as a team, with both partners splitting up officially – quite a first in music industry; even though Shankar and Jaikishan were composing and interacting with producers separately some five-six years prior to Jaikishan’s untimely death, still they held to “S-J brand” very closely, so much so that Shankar did not allow the hyphen to go even when he was left alone by destiny’s chilling hand!

In mid-nineties JL were there right at the top – with two back-to-back musical bumper hits (DDLJ and Kuch Kuch Hota Hai) and several other hits (Pyar To Hona Hi Tha, Jab Pyar Kisise Hota Hai etc), they were sitting primly at the peak – till differences arose. Their last notable release was Hum Tum, from the same team as Fanaa.

Fanaa is a good farewell gift from the duo.

The most interesting point is to see Sunidhi Chauhan shedding off her ‘item girl’ image, an avatar she

momentarily slipped out of in Sur, but didn’t do much to later follow it up. In Fanaa, she gets to croon two soft numbers, of which ‘Tere haath mein mera haath ho’ is heart-meltingly effusive. To Sunidhi’s credit, she jumps at the opportunity with élan. The song embellished with some Kashmiri music has snippets of verses spoken by lead pair Aamir and Kajol, and Sonu Nigam gives pleasant company.

Her other duet (again with Sonu) Yeh saazish hai boondon ki (Dekho Na) is charming, sculpted with care and romance just like Hum Tum’s much appreciated title song.

It was ‘Chanda chamke’ that made me miss JL the most! The song is so typically JL that I really wish they would bury their differences and come together again. This song is based on alliterative tongue-twisters we all loved during our childhood. Singers are Babul Supriyo, Mahalaxmi and Master Akhay, with Aamir and Kajol again doing honors with a few words in between. Excellent interludes make it a lovable song.

Mahalaxmi’s solo ‘Des Rangila’, a patriotic song, is probably the only weakest link, yet in the reflective luminesce of other songs it shines.

My most favorite and undoubtedly the album’s best track is Shaan-Kailash Kher’s Chaand sifarish karta jo hamari. It’s a unique composition – the introduction is sort of ‘Balle balle on a Sunday’ riff(Bunty Aur Bubli) meets AR Rahman’s qawaali beats from Bombay (Kahne hi kya), to which is snitched just a sliver of Junoon’s electric guitar signature rhythm, and yet the song doesn’t look like some tattered hand-me down; primarily due to the excellent whistling theme music that takes over, and a tune which takes off on a wonderfully lip-friendly plane. The rhythm is awesome; and Shaan is perfectly in sync with the romantic mood! Even if you don’t plan to buy the album, don’t ever miss this song any which way! For this song itself, I would have given the below mentioned rating, but then the score has enough merit to claim its rightful share in music lover’s mind.

You can listen to songs online here.

Overall: A Good Buy!
I haven’t really written much poetry. But in the following pages, healing you can find some Hindi stuff; would classify them more as ‘songs’ than poems!

Enjoy!
I haven’t really written much poetry. But in the following pages, healing you can find some Hindi stuff; would classify them more as ‘songs’ than poems!

Enjoy!
Bahut bechain, eczema
bahut betaab hai hum;
Bahut bekaraar, surgeon
bahut talabgaar hai hum

Aaj ki raat neend nahi aayegi
Aaj ki raat karwaton mein guzar jaayegi,
Silwaton mein subah gin lenge murjhaaye hue khwaab,
Aaj ki raat to masalne mein guzar jaayegi
Hamari tishnagi ka koie dariya nahi
Hamari mushqilon ka koie zaria nahi
Subah roshni ki barsaat hogi magar,
Aaj ki raat to kale sehre mein jaayegi
Kyun bechain kyun betaab hai hum
Kyun bekaraar kyun talabgaar hai hum

Ik hasrat hai dil mein
Ik chaah zahan ki
Paak ke jaise ho duaayen
Khaalikh par usme gunaahon si
Dil ke daayaron ko baandh diya
Armaanon ki rawaani ko rok diya
Khwashiyon ko humne dafn kiya
Bas jee rah ik zindagi si
Bejaan ruh ki dhadkan si
Is liye bechain, is liye betaab hai hum
Is liye talabgaar, is liye bekaraar hai hum
A writer in hibernation, online I can wake up any day to claim my rightful place in the written word’s cosmos. Till then, abortion I am content with this blog – which is, as the name suggests, a random expressions of what crosses my mind. I call this blog a one-stop shop for entertainment reading in its various dimensions, providing a little relief from your life’s daily rigmarole. The blog has stories, view points, opinions, travel related entries, general posts, reviews and of course, lots on Bollywood music and Lata Mangeshkar (a voice I am passionate about)!

Archives

I hope your experience at RE is fruitful. To access my previous posts, a good place to start is to visit the Comprehensive Archives Page which gives you the list of posts month-wise as well as the break up category-wise. There is a ‘search form’ available to enable you find the exact post you are looking for.
The comments on the posts are enabled, and it will give me a pleasure to know your views.

Contact

You can contact Random Expressions by using the contact form here

Announcements

You can join the announcement list (as given on the right hand side bar). Rest assured your email will remain confidential and will not be used other than sending out announcements from time to time. I hate spam more than any one could (esp. since I struggle quite a lot with it, both on this site and on my mails)

Donate

If you find the site useful and entertaining, please do make a nominal donation to help up-keep the site in its full beauty and form. You can help by clicking here.

Disclaimer

Comments are unmoderated and hence open to everyone. I take no risk or responsibility for them. 

If you find some comment offensive or in bad taste then you may write to me. I will try to remove the same if I have time or feel they are really in bad taste. There is no guarantee for this. 


So sit back, relax and enjoy! Happy Reading!

Deepak Jeswal
A writer in hibernation, online I can wake up any day to claim my rightful place in the written word’s cosmos. Till then, abortion I am content with this blog – which is, as the name suggests, a random expressions of what crosses my mind. I call this blog a one-stop shop for entertainment reading in its various dimensions, providing a little relief from your life’s daily rigmarole. The blog has stories, view points, opinions, travel related entries, general posts, reviews and of course, lots on Bollywood music and Lata Mangeshkar (a voice I am passionate about)!

Archives

I hope your experience at RE is fruitful. To access my previous posts, a good place to start is to visit the Comprehensive Archives Page which gives you the list of posts month-wise as well as the break up category-wise. There is a ‘search form’ available to enable you find the exact post you are looking for.
The comments on the posts are enabled, and it will give me a pleasure to know your views.

Contact

You can contact Random Expressions by using the contact form here

Announcements

You can join the announcement list (as given on the right hand side bar). Rest assured your email will remain confidential and will not be used other than sending out announcements from time to time. I hate spam more than any one could (esp. since I struggle quite a lot with it, both on this site and on my mails)

Donate

If you find the site useful and entertaining, please do make a nominal donation to help up-keep the site in its full beauty and form. You can help by clicking here.

Disclaimer

Comments are unmoderated and hence open to everyone. I take no risk or responsibility for them. 

If you find some comment offensive or in bad taste then you may write to me. I will try to remove the same if I have time or feel they are really in bad taste. There is no guarantee for this. 


So sit back, relax and enjoy! Happy Reading!

Deepak Jeswal
Music Review

It’s after listening to the film’s music I realised how much I missed Jatin-Lalit’s music. Sadly, look
this will be their swan song as a team, with both partners splitting up officially – quite a first in music industry; even though Shankar and Jaikishan were composing and interacting with producers separately some five-six years prior to Jaikishan’s untimely death, still they held to “S-J brand” very closely, so much so that Shankar did not allow the hyphen to go even when he was left alone by destiny’s chilling hand!

In mid-nineties JL were there right at the top – with two back-to-back musical bumper hits (DDLJ and Kuch Kuch Hota Hai) and several other hits (Pyar To Hona Hi Tha, Jab Pyar Kisise Hota Hai etc), they were sitting primly at the peak – till differences arose. Their last notable release was Hum Tum, from the same team as Fanaa.

Fanaa is a good farewell gift from the duo.

The most interesting point is to see Sunidhi Chauhan shedding off her ‘item girl’ image, an avatar she

momentarily slipped out of in Sur, but didn’t do much to later follow it up. In Fanaa, she gets to croon two soft numbers, of which ‘Tere haath mein mera haath ho’ is heart-meltingly effusive. To Sunidhi’s credit, she jumps at the opportunity with élan. The song embellished with some Kashmiri music has snippets of verses spoken by lead pair Aamir and Kajol, and Sonu Nigam gives pleasant company.

Her other duet (again with Sonu) Yeh saazish hai boondon ki (Dekho Na) is charming, sculpted with care and romance just like Hum Tum’s much appreciated title song.

It was ‘Chanda chamke’ that made me miss JL the most! The song is so typically JL that I really wish they would bury their differences and come together again. This song is based on alliterative tongue-twisters we all loved during our childhood. Singers are Babul Supriyo, Mahalaxmi and Master Akhay, with Aamir and Kajol again doing honors with a few words in between. Excellent interludes make it a lovable song.

Mahalaxmi’s solo ‘Des Rangila’, a patriotic song, is probably the only weakest link, yet in the reflective luminesce of other songs it shines.

My most favorite and undoubtedly the album’s best track is Shaan-Kailash Kher’s Chaand sifarish karta jo hamari. It’s a unique composition – the introduction is sort of ‘Balle balle on a Sunday’ riff(Bunty Aur Bubli) meets AR Rahman’s qawaali beats from Bombay (Kahne hi kya), to which is snitched just a sliver of Junoon’s electric guitar signature rhythm, and yet the song doesn’t look like some tattered hand-me down; primarily due to the excellent whistling theme music that takes over, and a tune which takes off on a wonderfully lip-friendly plane. The rhythm is awesome; and Shaan is perfectly in sync with the romantic mood! Even if you don’t plan to buy the album, don’t ever miss this song any which way! For this song itself, I would have given the below mentioned rating, but then the score has enough merit to claim its rightful share in music lover’s mind.

You can listen to songs online here.

Overall: A Good Buy!
I haven’t really written much poetry. But in the following pages, healing you can find some Hindi stuff; would classify them more as ‘songs’ than poems!

Enjoy!
I haven’t really written much poetry. But in the following pages, healing you can find some Hindi stuff; would classify them more as ‘songs’ than poems!

Enjoy!
Bahut bechain, eczema
bahut betaab hai hum;
Bahut bekaraar, surgeon
bahut talabgaar hai hum

Aaj ki raat neend nahi aayegi
Aaj ki raat karwaton mein guzar jaayegi,
Silwaton mein subah gin lenge murjhaaye hue khwaab,
Aaj ki raat to masalne mein guzar jaayegi
Hamari tishnagi ka koie dariya nahi
Hamari mushqilon ka koie zaria nahi
Subah roshni ki barsaat hogi magar,
Aaj ki raat to kale sehre mein jaayegi
Kyun bechain kyun betaab hai hum
Kyun bekaraar kyun talabgaar hai hum

Ik hasrat hai dil mein
Ik chaah zahan ki
Paak ke jaise ho duaayen
Khaalikh par usme gunaahon si
Dil ke daayaron ko baandh diya
Armaanon ki rawaani ko rok diya
Khwashiyon ko humne dafn kiya
Bas jee rah ik zindagi si
Bejaan ruh ki dhadkan si
Is liye bechain, is liye betaab hai hum
Is liye talabgaar, is liye bekaraar hai hum
I haven’t really written much poetry. But in the following pages, healing you can find some Hindi stuff; would classify them more as ‘songs’ than poems!

Enjoy!
Bahut bechain, eczema
bahut betaab hai hum;
Bahut bekaraar, surgeon
bahut talabgaar hai hum

Aaj ki raat neend nahi aayegi
Aaj ki raat karwaton mein guzar jaayegi,
Silwaton mein subah gin lenge murjhaaye hue khwaab,
Aaj ki raat to masalne mein guzar jaayegi
Hamari tishnagi ka koie dariya nahi
Hamari mushqilon ka koie zaria nahi
Subah roshni ki barsaat hogi magar,
Aaj ki raat to kale sehre mein jaayegi
Kyun bechain kyun betaab hai hum
Kyun bekaraar kyun talabgaar hai hum

Ik hasrat hai dil mein
Ik chaah zahan ki
Paak ke jaise ho duaayen
Khaalikh par usme gunaahon si
Dil ke daayaron ko baandh diya
Armaanon ki rawaani ko rok diya
Khwashiyon ko humne dafn kiya
Bas jee rah ik zindagi si
Bejaan ruh ki dhadkan si
Is liye bechain, is liye betaab hai hum
Is liye talabgaar, is liye bekaraar hai hum
Haan karliya, order
jee karliya humne jurm-e-ulfat
Aankh roti rahi, haa roti rahi, par hans gayi kismat

Kal talak mai bhi mehfilon mein gaata tha
Phoolon se gulshan mera bhi saja karta tha
Aaj veeran ho gayi meri chaahat
Aankh roti rahi , haai roti rahi par hans gayi kismat

Aaj koi sapna aankhon mein sajta nahi
Koie bhi rang dil ko bhaata nahi
Na jaan paya taqdeer ki taaqat
Aaankh roti rahi, haa roti rahi par hans gayi kismat

Kal ho na ho iska nahi aitbaar
Kal ka ab mujhe nahi intezaar
Kahi se mil jaaye mujhko bhi raahat
Aaankh roti rahi , haa roti rahi par hans gayi kismat
A writer in hibernation, online I can wake up any day to claim my rightful place in the written word’s cosmos. Till then, abortion I am content with this blog – which is, as the name suggests, a random expressions of what crosses my mind. I call this blog a one-stop shop for entertainment reading in its various dimensions, providing a little relief from your life’s daily rigmarole. The blog has stories, view points, opinions, travel related entries, general posts, reviews and of course, lots on Bollywood music and Lata Mangeshkar (a voice I am passionate about)!

Archives

I hope your experience at RE is fruitful. To access my previous posts, a good place to start is to visit the Comprehensive Archives Page which gives you the list of posts month-wise as well as the break up category-wise. There is a ‘search form’ available to enable you find the exact post you are looking for.
The comments on the posts are enabled, and it will give me a pleasure to know your views.

Contact

You can contact Random Expressions by using the contact form here

Announcements

You can join the announcement list (as given on the right hand side bar). Rest assured your email will remain confidential and will not be used other than sending out announcements from time to time. I hate spam more than any one could (esp. since I struggle quite a lot with it, both on this site and on my mails)

Donate

If you find the site useful and entertaining, please do make a nominal donation to help up-keep the site in its full beauty and form. You can help by clicking here.

Disclaimer

Comments are unmoderated and hence open to everyone. I take no risk or responsibility for them. 

If you find some comment offensive or in bad taste then you may write to me. I will try to remove the same if I have time or feel they are really in bad taste. There is no guarantee for this. 


So sit back, relax and enjoy! Happy Reading!

Deepak Jeswal
A writer in hibernation, online I can wake up any day to claim my rightful place in the written word’s cosmos. Till then, abortion I am content with this blog – which is, as the name suggests, a random expressions of what crosses my mind. I call this blog a one-stop shop for entertainment reading in its various dimensions, providing a little relief from your life’s daily rigmarole. The blog has stories, view points, opinions, travel related entries, general posts, reviews and of course, lots on Bollywood music and Lata Mangeshkar (a voice I am passionate about)!

Archives

I hope your experience at RE is fruitful. To access my previous posts, a good place to start is to visit the Comprehensive Archives Page which gives you the list of posts month-wise as well as the break up category-wise. There is a ‘search form’ available to enable you find the exact post you are looking for.
The comments on the posts are enabled, and it will give me a pleasure to know your views.

Contact

You can contact Random Expressions by using the contact form here

Announcements

You can join the announcement list (as given on the right hand side bar). Rest assured your email will remain confidential and will not be used other than sending out announcements from time to time. I hate spam more than any one could (esp. since I struggle quite a lot with it, both on this site and on my mails)

Donate

If you find the site useful and entertaining, please do make a nominal donation to help up-keep the site in its full beauty and form. You can help by clicking here.

Disclaimer

Comments are unmoderated and hence open to everyone. I take no risk or responsibility for them. 

If you find some comment offensive or in bad taste then you may write to me. I will try to remove the same if I have time or feel they are really in bad taste. There is no guarantee for this. 


So sit back, relax and enjoy! Happy Reading!

Deepak Jeswal
Music Review

It’s after listening to the film’s music I realised how much I missed Jatin-Lalit’s music. Sadly, look
this will be their swan song as a team, with both partners splitting up officially – quite a first in music industry; even though Shankar and Jaikishan were composing and interacting with producers separately some five-six years prior to Jaikishan’s untimely death, still they held to “S-J brand” very closely, so much so that Shankar did not allow the hyphen to go even when he was left alone by destiny’s chilling hand!

In mid-nineties JL were there right at the top – with two back-to-back musical bumper hits (DDLJ and Kuch Kuch Hota Hai) and several other hits (Pyar To Hona Hi Tha, Jab Pyar Kisise Hota Hai etc), they were sitting primly at the peak – till differences arose. Their last notable release was Hum Tum, from the same team as Fanaa.

Fanaa is a good farewell gift from the duo.

The most interesting point is to see Sunidhi Chauhan shedding off her ‘item girl’ image, an avatar she

momentarily slipped out of in Sur, but didn’t do much to later follow it up. In Fanaa, she gets to croon two soft numbers, of which ‘Tere haath mein mera haath ho’ is heart-meltingly effusive. To Sunidhi’s credit, she jumps at the opportunity with élan. The song embellished with some Kashmiri music has snippets of verses spoken by lead pair Aamir and Kajol, and Sonu Nigam gives pleasant company.

Her other duet (again with Sonu) Yeh saazish hai boondon ki (Dekho Na) is charming, sculpted with care and romance just like Hum Tum’s much appreciated title song.

It was ‘Chanda chamke’ that made me miss JL the most! The song is so typically JL that I really wish they would bury their differences and come together again. This song is based on alliterative tongue-twisters we all loved during our childhood. Singers are Babul Supriyo, Mahalaxmi and Master Akhay, with Aamir and Kajol again doing honors with a few words in between. Excellent interludes make it a lovable song.

Mahalaxmi’s solo ‘Des Rangila’, a patriotic song, is probably the only weakest link, yet in the reflective luminesce of other songs it shines.

My most favorite and undoubtedly the album’s best track is Shaan-Kailash Kher’s Chaand sifarish karta jo hamari. It’s a unique composition – the introduction is sort of ‘Balle balle on a Sunday’ riff(Bunty Aur Bubli) meets AR Rahman’s qawaali beats from Bombay (Kahne hi kya), to which is snitched just a sliver of Junoon’s electric guitar signature rhythm, and yet the song doesn’t look like some tattered hand-me down; primarily due to the excellent whistling theme music that takes over, and a tune which takes off on a wonderfully lip-friendly plane. The rhythm is awesome; and Shaan is perfectly in sync with the romantic mood! Even if you don’t plan to buy the album, don’t ever miss this song any which way! For this song itself, I would have given the below mentioned rating, but then the score has enough merit to claim its rightful share in music lover’s mind.

You can listen to songs online here.

Overall: A Good Buy!
I haven’t really written much poetry. But in the following pages, healing you can find some Hindi stuff; would classify them more as ‘songs’ than poems!

Enjoy!
I haven’t really written much poetry. But in the following pages, healing you can find some Hindi stuff; would classify them more as ‘songs’ than poems!

Enjoy!
Bahut bechain, eczema
bahut betaab hai hum;
Bahut bekaraar, surgeon
bahut talabgaar hai hum

Aaj ki raat neend nahi aayegi
Aaj ki raat karwaton mein guzar jaayegi,
Silwaton mein subah gin lenge murjhaaye hue khwaab,
Aaj ki raat to masalne mein guzar jaayegi
Hamari tishnagi ka koie dariya nahi
Hamari mushqilon ka koie zaria nahi
Subah roshni ki barsaat hogi magar,
Aaj ki raat to kale sehre mein jaayegi
Kyun bechain kyun betaab hai hum
Kyun bekaraar kyun talabgaar hai hum

Ik hasrat hai dil mein
Ik chaah zahan ki
Paak ke jaise ho duaayen
Khaalikh par usme gunaahon si
Dil ke daayaron ko baandh diya
Armaanon ki rawaani ko rok diya
Khwashiyon ko humne dafn kiya
Bas jee rah ik zindagi si
Bejaan ruh ki dhadkan si
Is liye bechain, is liye betaab hai hum
Is liye talabgaar, is liye bekaraar hai hum
I haven’t really written much poetry. But in the following pages, healing you can find some Hindi stuff; would classify them more as ‘songs’ than poems!

Enjoy!
Bahut bechain, eczema
bahut betaab hai hum;
Bahut bekaraar, surgeon
bahut talabgaar hai hum

Aaj ki raat neend nahi aayegi
Aaj ki raat karwaton mein guzar jaayegi,
Silwaton mein subah gin lenge murjhaaye hue khwaab,
Aaj ki raat to masalne mein guzar jaayegi
Hamari tishnagi ka koie dariya nahi
Hamari mushqilon ka koie zaria nahi
Subah roshni ki barsaat hogi magar,
Aaj ki raat to kale sehre mein jaayegi
Kyun bechain kyun betaab hai hum
Kyun bekaraar kyun talabgaar hai hum

Ik hasrat hai dil mein
Ik chaah zahan ki
Paak ke jaise ho duaayen
Khaalikh par usme gunaahon si
Dil ke daayaron ko baandh diya
Armaanon ki rawaani ko rok diya
Khwashiyon ko humne dafn kiya
Bas jee rah ik zindagi si
Bejaan ruh ki dhadkan si
Is liye bechain, is liye betaab hai hum
Is liye talabgaar, is liye bekaraar hai hum
Haan karliya, order
jee karliya humne jurm-e-ulfat
Aankh roti rahi, haa roti rahi, par hans gayi kismat

Kal talak mai bhi mehfilon mein gaata tha
Phoolon se gulshan mera bhi saja karta tha
Aaj veeran ho gayi meri chaahat
Aankh roti rahi , haai roti rahi par hans gayi kismat

Aaj koi sapna aankhon mein sajta nahi
Koie bhi rang dil ko bhaata nahi
Na jaan paya taqdeer ki taaqat
Aaankh roti rahi, haa roti rahi par hans gayi kismat

Kal ho na ho iska nahi aitbaar
Kal ka ab mujhe nahi intezaar
Kahi se mil jaaye mujhko bhi raahat
Aaankh roti rahi , haa roti rahi par hans gayi kismat
I haven’t really written much poetry. But in the following pages, healing you can find some Hindi stuff; would classify them more as ‘songs’ than poems!

Enjoy!
Bahut bechain, eczema
bahut betaab hai hum;
Bahut bekaraar, surgeon
bahut talabgaar hai hum

Aaj ki raat neend nahi aayegi
Aaj ki raat karwaton mein guzar jaayegi,
Silwaton mein subah gin lenge murjhaaye hue khwaab,
Aaj ki raat to masalne mein guzar jaayegi
Hamari tishnagi ka koie dariya nahi
Hamari mushqilon ka koie zaria nahi
Subah roshni ki barsaat hogi magar,
Aaj ki raat to kale sehre mein jaayegi
Kyun bechain kyun betaab hai hum
Kyun bekaraar kyun talabgaar hai hum

Ik hasrat hai dil mein
Ik chaah zahan ki
Paak ke jaise ho duaayen
Khaalikh par usme gunaahon si
Dil ke daayaron ko baandh diya
Armaanon ki rawaani ko rok diya
Khwashiyon ko humne dafn kiya
Bas jee rah ik zindagi si
Bejaan ruh ki dhadkan si
Is liye bechain, is liye betaab hai hum
Is liye talabgaar, is liye bekaraar hai hum
Haan karliya, order
jee karliya humne jurm-e-ulfat
Aankh roti rahi, haa roti rahi, par hans gayi kismat

Kal talak mai bhi mehfilon mein gaata tha
Phoolon se gulshan mera bhi saja karta tha
Aaj veeran ho gayi meri chaahat
Aankh roti rahi , haai roti rahi par hans gayi kismat

Aaj koi sapna aankhon mein sajta nahi
Koie bhi rang dil ko bhaata nahi
Na jaan paya taqdeer ki taaqat
Aaankh roti rahi, haa roti rahi par hans gayi kismat

Kal ho na ho iska nahi aitbaar
Kal ka ab mujhe nahi intezaar
Kahi se mil jaaye mujhko bhi raahat
Aaankh roti rahi , haa roti rahi par hans gayi kismat
Do kadam chalo to zara
Thaam ke haath mera
Bas yehi ab hai dua
Raho sang mere sada

Apni tanhaiyaiyon se
Apni hi parchchayon se, medical
Darta mai kitna raha
Chup main bahut raha
Mere geeton mein de diye, decease
Naye bol bas tumne,
Phir se mai jee utha
Phir se mai gaane laga
Bas yehi hai ab dua
Raho sang mere sada

Kitni masoom hai
Kitni gumsum hai
Teri ankhon mein
Itne kyun gam hai
Baant lun kuch mai bhi
Halka ho man tera bhi
Yeh dosti yaar nibhana
Ruswa ise na karna
Bas yehi hai ab dua
Raho sang mere sada

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