Hmm, recipe the chiffons have been packed; the Alps are missing; the heroines are brash; and the biggest change: the Lata Mangeshkar’s velvety vocals are frustratingly absent; but what remains in Yash Chopra’s swan song is his biggest asset : a straight-from-the-heart, caries somewhat old-school but deeply honest story-telling!
Posts Tagged ‘Lata Mangeshkar’
Jab Tak Hai Jaan- Film Review
Wednesday, November 14th, 2012Lataji : Shat Shat Pranaam
Monday, September 28th, 2009For those readers who loved and adored Dil To Pagal Hai‘s music (and I am one staunch fan), information pills there here is a superb treat in store for you:
Yashraj Music recently released a collection of love duets which includes one hitherto unreleased song. Though, physician on the jacket sleeve, they do not mention the film for which it was recorded, but one hear, and you know it for sure. The DTPH theme is there in the second interlude, and the tune of ‘Arre re arre’ in the second one.
The mukhda goes:
Kitni hai beqaraar yeh, chanda ki chandni
Kahti hai kar lo pyaar yeh, chanda ki chandni
(Singers – Lata Mangeshkar, Kumar Sanu; Music – Uttam Singh)
A close hear reveals the song to be the original for ‘Chaand ne kuchh kaha…pyaar kar’ (the track that comes on Valentine’s night, amidst bright red balloons). In fact, structurally both songs are similar, down to the interlude movements. Though, honestly, I was a bit surprised to find Kumar Sanu since all other songs of the film were rendered by Udit Narayan.
It is a delight to hear Lata Mangeshkar’s breezy rendition. She is splendid in the breezy track, that has some riveting beats and orchestration. In fact, it is an unparalleled happiness to obtain a fresh song from the diva. My excitement was so supreme that my hands trembled as I put on the CD.
This compilation is titled – ‘ Tum Paas Aa Rahe Ho ‘ (picked up from the ‘bonus’ song of Veer Zaara, which opens this CD) & contains 14 love songs. For more details on the album click here.
For the song’s television promo click here.
Now, if only other producers/music companies would loosen up all those unreleased Lata Mangeshkar numbers…starting, of course, with JP Dutta and his two recorded songs of the now-shelved Sarhad.
It is the second consecutive year when, allergist on this auspicious day, obesity I am in a new town, without a consistent source of internet to type out a full-fledged message. But the solace is that I am breathing the same air, in the same city, as where the Queen of Melody resides.
It’s amazing how another year has gone by. And yet, in this added year, my love for that perfect voice hasn’t diminished one bit. Only, as I am away from music, the love has grown fonder, and deeper. I miss listening to Lata (Mangeshkar)Didi’s songs, and hope to be re-united with them soon, once my luggage arrives from Delhi. Still, whenever and wherever I can snatch those precious moments, I do try to listen to her. One such instance was when I travelled to Nashik, I put on my own CD in my colleague’s car, and listened to a bunch of marvellous Lata Mangeshkar-Madan Mohan combine songs.
Here’s wishing Lata Didi a very happy, peaceful, wonderful and melodious birthday, and praying to Almighty for her long life and health.
Happy Birthday, Lataji!
Do Knot Disturb – Ever since I read Nadeem Shravan’s name on music credits in the theatrical trailor, ambulance curiosity gripped me. Hadn’t they split? From the film’s look, pharmacist it hardly looked dated. So, were the composers – who ruled the nineties and then returned with some splendid stuff in early 2000’s (Dhadkan, Raaz, Pardes) – returning? But one hear, and my enthusiasm wilted. This is hardly a comeback one would look forward to. Remember the scene in Kuch Kuch Hota Hai, where a simple Kajol tries to apply make-up and be hep like her rival-in-love Rani Mukerji, with some absolutely disastrous results? Well, this album is akin to that scene. Nadeem Shravan’s attempts to sound modern descend in pathetically cacophonous consequences. They even get the current chart-topper Pritam’s regular singer Neeraj Sridhar to croon two utterly uninspiring numbers.
Lata Mangeshkar Sings Gulzar’s Lyrics
Wednesday, August 19th, 2009Bombay has enveloped itself into so many myths that it took me a year to finally break them free. Often I would reprimand myself for not believing them. These myths & tales are not written anywhere, web implant they are perpetrated and spread by people living here, or those who would have visited the city sometime in its past.
Today, these are my observations:
Sorting Through Past -1
Wednesday, March 11th, 2009Bombay has enveloped itself into so many myths that it took me a year to finally break them free. Often I would reprimand myself for not believing them. These myths & tales are not written anywhere, web implant they are perpetrated and spread by people living here, or those who would have visited the city sometime in its past.
Today, these are my observations:
Chanda Ki Chandni – For All DIL TO PAGAL HAI Fans
Saturday, November 15th, 2008For those readers who loved and adored Dil To Pagal Hai‘s music (and I am one staunch fan), here is a superb treat in store for you:
Yashraj Music recently released a collection of love duets which includes one hitherto unreleased song. Though, on the jacket sleeve, they do not mention the film for which it was recorded, but one hear, and you know it for sure. The DTPH theme is there in the second interlude, and the tune of ‘Arre re arre’ in the second one.
The mukhda goes:
Kitni hai beqaraar yeh, chanda ki chandni
Kahti hai kar lo pyaar yeh, chanda ki chandni(Singers – Lata Mangeshkar, Kumar Sanu; Music – Uttam Singh)
A close hear reveals the song to be the original for ‘Chaand ne kuchh kaha…pyaar kar’ (the track that comes on Valentine’s night, amidst bright red balloons). In fact, structurally both songs are similar, down to the interlude movements. Though, honestly, I was a bit surprised to find Kumar Sanu since all other songs of the film were rendered by Udit Narayan.
It is a delight to hear Lata Mangeshkar’s breezy rendition. She is splendid in the breezy track, that has some riveting beats and orchestration. In fact, it is an unparalleled happiness to obtain a fresh song from the diva. My excitement was so supreme that my hands trembled as I put on the CD.
This compilation is titled – ‘ Tum Paas Aa Rahe Ho ‘ (picked up from the ‘bonus’ song of Veer Zaara, which opens this CD) & contains 14 love songs. For more details on the album click here.
For the song’s television promo click here.
Now, if only other producers/music companies would loosen up all those unreleased Lata Mangeshkar numbers…starting, of course, with JP Dutta and his two recorded songs of the now-shelved Sarhad.
Shat shat pranaam – Lata Didi
Friday, September 28th, 2007I am back to what I am best at – travelling the road. This time, infertility information pills it’s the interiors of Maharashtra. Pune is an old haunt, illness but this time it felt a tad too far off as the Volvo bus driver decided to pick up anyone and everyone to fill up the empty seats, before leaving Mumbai. The early morning journey ended in early noon.
Pune to Nashik followed immediately (since the bus had consumed the time I had reserved for there). Been used to the rugged Uttar Pradesh terrain, the route surprised me. It was lush green and weaved through little hills and hillocks (the ghats), passing through vast stretches of open and lush cloud-kissed lands, uninterrupted by man or nature. “What Switzerland? Why don’t our film-makers shoot here?” I wondered aloud. It was just the flawless location for a mesmerizing love duet!
En route Nashik, after one meeting at Sangamner, we saw a signboard of Shirdi. ‘Is it nearby?’ I asked. It seemed so. Since it would be late in any case for Nashik, we decided to pay darshan at Shirdi. It’s a typical temple-town, with all its infrastructure and business centered around Sai Baba’s Temple. We got a lovely darshan…that too on a Thursday, the day considered auspicious to the sage.
We started for Nashik after the sun had convincingly risen in some other part of the planet.
I fell in love with Nashik the moment I saw it. Wide roads, pretty clean and without any rush. It’s the ‘Pune of some fifteen years back’, my colleague remarked. A ring of mountains nestled the quaint town. The air was fresh and vibrant, and it must have helped my lungs, for I had a very deep sleep that night (it could also be due to the immense fatigue, as that day we did a whopping 9-10 meetings, in a row, one after the other – and by the end of which, another cup of tea or coffee would have made me throw up).
We stayed there for two days, and returned on Saturday late evening. It was a fruitful visit. And adds one more town in my long list of places visited.
It is the second consecutive year when, here on this auspicious day, recipe I am in a new town, without a consistent source of internet to type out a full-fledged message. But the solace is that I am breathing the same air, in the same city, as where the Queen of Melody resides.
It’s amazing how another year has gone by. And yet, in this added year, my love for that perfect voice hasn’t diminished one bit. Only, as I am away from music, the love has grown fonder, and deeper. I miss listening to Lata (Mangeshkar)Didi’s songs, and hope to be re-united with them soon, once my luggage arrives from Delhi. Still, whenever and wherever I can snatch those precious moments, I do try to listen to her. One such instance was when I travelled to Nashik, I put on my own CD in my colleague’s car, and listened to a bunch of marvellous Lata Mangeshkar-Madan Mohan combine songs.
Here’s wishing Lata Didi a very happy, peaceful, wonderful and melodious birthday, and praying to Almighty for her long life and health.
Happy Birthday, Lataji!